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They were younger than her, it was true, but it wasn’t as if they were babies.Īnd anyway, she didn’t particularly want to be found. It wasn’t Laurel’s fault she was better at finding hiding places. Besides, it was all part of the challenge, and as Daddy was always saying, fair was fair and they’d never learn if they didn’t try. It was cruel, she supposed, just to let them keep hunting for her, but with the heat wave and the secret she was nursing, the effort of games-childish games at that-was just too much to muster. And high above it all, lying on her back on the floor of a wooden tree house, a girl of sixteen pushes the lemon Spangle she’s been sucking hard against the roof of her mouth and sighs. The house lights dim the curtain lifts.Ī clutch of hens appears from nowhere to peck between the bricks of the garden path, a jay drags his shadow across the garden, a tractor in the nearby meadow putters to life.
“Laurel, where are you?”Īnd it’s as if a spell has been broken. “Laurel!” A child’s impatient voice, some distance off. When every possibility stretches ahead and fate has not yet been sealed by circumstance, and then. A wheelbarrow loaded with pots waits patiently by the shed.ĭespite its stillness, perhaps because of it, the whole scene has an expectant, charged feeling, like a theater stage in the moments before the actors walk out from the wings.
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A teddy bear with an eye patch and a look of dignified tolerance keeps watch from his vantage point in the peg basket of a green laundry trolley.
A pair of white hula hoops, last year’s craze, stand propped against the wisteria arch. The house is quite alone, sitting at the end of a long, dusty driveway, invisible from the country lane whose name it shares.Īpart from an occasional breeze, all is still, all is quiet. Through the knotted trees a stream trickles lightly over stones, flitting between sunlight and shadow as it has done for centuries, but it can’t be heard from here. It’s something in the way the vegetable patch has been laid out, just so, at the back of the house, the proud gleam of the leadlight windows, the careful patching of the roofing tiles.Ī rustic fence hems the house, and a wooden gate separates the tame garden from the meadows on either side, the copse beyond. The chimney pots are steaming, and you know, just by looking, that there’s something tasty simmering on the stove top beneath. The house is unassuming: half-timbered, with white paint peeling gently on the western side and clematis scrambling up the plaster. RURAL England, a farmhouse in the middle of nowhere, a summer’s day at the start of the 1960s. She lives with her family in Brisbane, Australia. There is the paper copy with regular textbooks, along with work books and guides.Kate Morton, a native Australian, holds degrees in dramatic art and English literature. A Beka curriculum is produced in several different formats. Located in Pensacola, Florida, it is associated with the Pensacola Christian Academy. The A Beka curriculum consists of educational material produced by the A Beka Book publishing company. They offer a chance to observe master teaching techniques at work and learn the methods by imitation, the only way one really learns to be a master of any art. The Abeka curriculums are an opportunity to stand at the elbow of a master teacher. Academic curriculum, traditional teaching approach, flexible options ABeka provides plenty of additional practice to reinforce educational concepts for homeschooling families.
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